The King of Limbs Album Art the King of Limbs Text Png
The King of Limbs | ||||
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Studio album by Radiohead | ||||
Released | xviii February 2011 (2011-02-18) | |||
Recorded | May 2009 – January 2011 | |||
Studio | Habitation of Drew Barrymore (Los Angeles, California) | |||
Genre |
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Length | 37:34 | |||
Label | Forty | |||
Producer | Nigel Godrich | |||
Radiohead chronology | ||||
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The King of Limbs is the eighth studio album by the English rock ring Radiohead. It was self-released on 18 February 2011 equally a download, followed by a concrete release on 28 March through Xl Recordings internationally and TBD Records in Due north America.
Following the more than conventional instrumentation of In Rainbows (2007), The King of Limbs saw Radiohead move further from standard song structures and recording methods. They developed the album with their longtime producer Nigel Godrich through sampling and looping; vocaliser Thom Yorke described information technology as "an expression of wildness and mutation". The artwork, past Yorke and longtime collaborator Stanley Donwood, depicts nature and spirits inspired past fairy tales.
Radiohead released no singles from The King of Limbs, but released a music video for "Lotus Flower" featuring Yorke's dancing that inspired an internet meme. In 2012, they began an international bout, with several festival appearances. To perform the circuitous rhythms live, they were joined by a second drummer, Clive Deamer. The European tour was postponed afterward the temporary stage collapsed in Toronto'southward Downsview Park, killing technician Scott Johnson and injuring three others.
Though its unconventional production and shorter length divided listeners, The King of Limbs was named one of the best albums of the year by publications including The Wire, NME and PopMatters. Information technology was nominated in five categories at the 54th Annual Grammy Awards, including Best Culling Music Anthology. The download version sold an estimated 300,000 to 400,000 copies in 2 months, and the vinyl became a bestseller in the UK. The retail edition debuted at number seven on the UK Albums Chart and number half dozen on the US Billboard 200, making it the kickoff Radiohead album non to reach gilt certification in the United states of america. The King of Limbs was followed by the remix anthology TKOL RMX 1234567, the alive video The King of Limbs: Live from the Basement, and the non-album singles "Supercollider" and "The Butcher".
Recording [edit]
Radiohead worked on The King of Limbs with their longtime producer Nigel Godrich intermittently from May 2009 to January 2011.[ane] It included three weeks recording at the dwelling of actress Drew Barrymore in Los Angeles[ii] [3] in early 2010.[4]
Radiohead wanted to avert repeating the protracted recording process of their previous album In Rainbows (2007).[5] According to vocalizer Thom Yorke, the band felt that "if nosotros are gonna carry on, we need to do it for a new set up of reasons".[6] Cover artist Stanley Donwood said that whereas In Rainbows was "very much a definitive statement", the band wanted to make an album that was more "transitory".[7] Multi-instrumentalist Jonny Greenwood said: "We didn't want to pick upward guitars and write chord sequences. We didn't want to sit in front of a computer either. We wanted a 3rd matter, which involved playing and programming."[1]
Whereas Radiohead had adult In Rainbows from live performance, The King of Limbs developed from studio experimentation.[viii] Yorke sought to movement farther from conventional recording methods.[i] Later on he and Godrich became interested in DJing during their time in Los Angeles, Godrich proposed a two-calendar week experiment whereby the band used turntables and vinyl emulation software instead of conventional instruments.[i] Co-ordinate to Godrich, "That two-week experiment ended up existence fucking six months. And that's that record, the whole story of all of it."[9]
Radiohead assembled much of the album by looping and editing samples of their playing.[1] [10] They used sampling software written by Greenwood, which he described as a "wonky, rubbish version" of Ableton Alive,[11] to create sequences of music. Yorke wrote melodies and lyrics over the sequences,[12] which he likened to the procedure of editing a film.[thirteen] Guitarist Ed O'Brien said: "The brick walls we tended to hit were when we knew something was great, like 'Bloom', simply not finished ... Then [Colin Greenwood] had that bassline, and Thom started singing. Those things suddenly fabricated it a hundred times meliorate."[1] According to Godrich, the result of the recording sessions was a "gigantic mess that took me almost a year and a half to unravel".[fourteen]
On 24 January 2010, Radiohead suspended recording to perform at the Hollywood Henry Fonda Theatre to raise funds for Oxfam responding to the 2010 Haiti earthquake. The testify was released costless online in December 2010 equally Radiohead for Haiti,[15] and included a performance of the future King of Limbs runway "Lotus Flower" by Yorke on acoustic guitar.[16]
Music and lyrics [edit]
According to Rolling Rock, The King of Limbs saw Radiohead motion further from conventional rock music and vocal structures in favour of "moody, rhythm-heavy electronica, glacially paced ballads and ambient psychedelia".[17] Several critics noted dubstep influences.[18] [nineteen] [xx] The album makes prominent use of sampling, looping, and ambient sounds,[21] [22] [23] incorporating natural sounds such as birdsong and wind.[24] Pitchfork described its music as "aggressive rhythms made out of dainty bits of digital detritus, robotically repetitive yet humanly off-kilter, parched thickets of drumming graced with fleeting moments of melodic relief".[25] According to O'Brien: "Rhythm is the male monarch of limbs! The rhythm dictates the record. It's very of import."[26]
The beginning rail, "Flower", was inspired by the BBC nature documentary series The Blue Planet.[27] It opens with a piano loop and features horns and complex rhythms.[24] [28] "Morning Mr Magpie" has "restless guitars".[24] "Petty by Little" features "crumbling guitar shapes" and "clattering" percussion.[28] "Feral" features scattered vocal samples[22] and "mulched-up" drums.[28] "Lotus Flower" features a driving synth bassline and Yorke's falsetto.[24] "Codex" is a pianoforte carol with "spectral" horns and strings[24] and a Roland TR-808 pulsate motorcar.[2] "Give Upward the Ghost" is an audio-visual guitar carol with layered vocal harmonies.[24] The concluding track, "Separator", has guitar and piano, a "brittle" drum loop, and echoing vocals.[24]
Yorke said he felt The King of Limbs was a "visual" anthology, with lyrics and artwork well-nigh "wildness" and "mutating" inspired by his environmental concerns.[29] The album title derives from the King of Limbs, an ancient oak tree in Savernake Forest in Wiltshire, well-nigh Tottenham House, where Radiohead recorded In Rainbows.[30]
At eight tracks and 37 minutes in length, The King of Limbs is Radiohead'south shortest anthology.[31] O'Brien explained that Radiohead felt the ideal album was around 40 minutes long, and cited Marvin Gaye's What's Going On (1971) equally a archetype tape shorter than The Male monarch of Limbs.[32]
Artwork and packaging [edit]
The King of Limbs artwork was created past Yorke with longtime Radiohead collaborator Stanley Donwood.[33] As with previous Radiohead albums, Donwood worked as the band recorded nearby.[34] He painted oil portraits of the Radiohead members in the style of Gerhard Richter, merely abandoned them every bit "I'd never painted with oils earlier and I'm non Gerhard Richter so it was simply a series of painted disasters".[35] Instead, the music made Donwood call back of "immense multicoloured cathedrals of trees, with music echoing from the branches whilst strange fauna lurked in the fog".[34] He and Yorke drew trees with eyes, limbs, mouths, and familiars,[34] creating "strange multi-limbed creatures" inspired by Northern European fairy tales.[36]
For the special edition of The King of Limbs, Donwood wanted to create something "in a state of flux".[34] He chose newspaper, which fades in sunlight, for its imperceptible nature;[36] this reflected the anthology's nature themes, mirroring the natural decay of living things.[34] He took inspiration from weekend broadsheets[36] and undercover 1960s newspapers and magazines such every bit Oz and International Times.[34] The special edition includes a sheet of artwork on blotting paper of the kind used to administrate LSD; Donwood said, "In theory, not that I would propose such an illegal thing, merely somebody could... And I don't think that'southward been done equally a marketing thing before."[37] The special edition was nominated for the Best Boxed or Special Limited Edition Package at the 54th Grammy Awards.[38]
Release [edit]
Radiohead announced The King of Limbs on their website on 14 February 2011.[39] It was released on 18 February, a day early, as the website was prepare ahead of schedule.[17] The download version was sold for £6,[40] with a special edition of the album, released on 9 May 2011, sold for £thirty.[xl] The special edition contains the anthology on CD and ii ten-inch vinyl records, additional artwork, a special record sleeve, and a "color piece of oxo-degradable plastic package".[forty] The King of Limbs was released on CD and vinyl on March 28, 2011[41] by XL Recordings in the United Kingdom, TBD in the United States and Hostess Amusement in Japan.[42]
Subsequent releases [edit]
On sixteen Apr 2011, Radiohead released two further tracks from the King of Limbs sessions, "Supercollider" and "The Butcher", as a double single for Record Store 24-hour interval. A few days later on, the tracks were released as gratis downloads for those who had purchased The Rex of Limbs from the Radiohead website.[43] In June 2011, Radiohead appear a series of King of Limbs remixes by various electronic artists.[44] Yorke said the band wanted to experiment with the music further by giving it to remixers, and liked the idea that it was non "fixed and fix in rock".[45] The remixes were compiled on the album TKOL RMX 1234567, released in September 2011.[46]
Radiohead performed The Rex of Limbs in its entirety for The Male monarch of Limbs: Live from the Basement, circulate in July 2011 and released on DVD and Blu-ray in December 2011.[47] [48] Godrich said the operation was an endeavor to record the "very mechanised" album once again and evidence it in a new calorie-free.[49] On 11 February 2014, Radiohead released an app, Polyfauna, featuring music and imagery from The King of Limbs.[l] In 2017, Radiohead collaborated with motion picture composer Hans Zimmer to record a new version of "Bloom" for the BBC nature documentary serial Blue Planet 2. The track, "(ocean) blossom", features new vocals by Yorke recorded aslope the BBC Concert Orchestra. In a printing release, Yorke said that "Bloom" had been inspired by the original Blueish Planet series, and that it was "slap-up to be able to come full circle with the vocal".[27]
Promotion [edit]
On eighteen February, Radiohead released a music video for "Lotus Flower" on YouTube,[17] featuring blackness-and-white footage of Yorke dancing. It was directed by Garth Jennings and choreographed by Wayne McGregor.[51] The video inspired the "Dancing Thom Yorke" cyberspace meme, whereby fans replaced the audio or edited the visuals,[52] and "#thomdance" became a trending hashtag on Twitter.[53] A promotional broadcast in Shibuya Crossing, Tokyo, was canceled due to security concerns.[54]
On 28 March 2011, to promote the retail release of The King of Limbs, Radiohead distributed a free newspaper, the Universal Sigh, at independent record shops beyond the earth.[55] Donwood and Yorke distributed copies in person at the Rough Merchandise record shop in east London.[56] Influenced by gratuitous newspapers such as LA Weekly or London Calorie-free, the Universal Sigh is a 12-page tabloid printed using spider web-outset lithography on newsprint paper[57] and features artwork, poetry, and lyrics, plus brusque stories by Donwood, Jay Griffiths and Robert Macfarlane.[58]
Tour [edit]
Radiohead did not perform The Male monarch of Limbs live until several months later on its release, equally Yorke wanted to proceed studio work and it took some time to adapt the album for performance.[one] To perform the album'due south circuitous rhythms, they enlisted a second drummer, Clive Deamer, who had worked with Portishead and Get the Blessing. Selway said: "That was fascinating. One played in the traditional mode, the other nigh mimicked a drum motorcar. It was push-and-pull, like kids at play, really interesting."[59] Deamer has joined Radiohead for subsequent tours.[threescore]
On 24 June 2011, Radiohead played a surprise performance on the Park phase at the 2011 Glastonbury Festival, performing mainly new material. Guardian critic Rosie Swash gave the performance a mixed review, saying the audience had hoped for older songs.[61] In September, Radiohead played two dates at New York City'due south Roseland Ballroom[62] and made American Boob tube appearances including the flavour premiere of Saturday Dark Alive [63] and an 60 minutes-long special of The Colbert Report.[64] In 2012, Radiohead toured Europe, N America, and Asia, with appearances at the Bonnaroo, Coachella and Fuji Rock festivals.[65] They played mainly arenas, equally O'Brien said the "precise and detailed" King of Limbs cloth would non suit outdoor venues.[66]
On 16 June 2012, the stage collapsed during the setup for a show at Toronto's Downsview Park, killing pulsate technician Scott Johnson and injuring three other members of Radiohead's road coiffure.[67] The show was canceled and Radiohead'south tour dates in Europe were postponed.[68] After rescheduling the tour, Radiohead paid tribute to Johnson and their stage crew at their adjacent concert, in Nîmes, France, in July.[69] In 2013, Live Nation Canada Inc, two other organisations and an engineer were charged with xiii charges.[70] Post-obit a delay caused by mistrial, the case was dropped in 2017 under the Jordan ruling, which puts fourth dimension limits on cases.[70] Radiohead released a argument condemning the decision.[71] A 2019 inquest returned a verdict of accidental death.[72]
Sales [edit]
On the Radiohead website, where it was exclusively available for nearly 2 months prior to its retail release, The Rex of Limbs sold between 300,000 and 400,000 download copies.[1] Radiohead's co-manager Chris Hufford estimated that Radiohead made more money from The Male monarch of Limbs than any of their previous albums, as most sales were made through their website without a record company.[1]
The retail edition debuted at number seven on the Great britain Albums Chart,[73] catastrophe Radiohead's streak of five consecutive number-one Britain albums,[74] and sold 33,469 copies in its outset week.[73] The vinyl edition, excluding special edition sales, sold more than 20,000 copies in the UK in the first half of 2011, 12% of all vinyl sold in that period,[75] and became the bestselling vinyl anthology of 2011.[34] As of Apr 2015[update], it was the decade's 2d-bestselling vinyl in the UK.[76]
In the Usa, the retail edition debuted at number six on the Billboard 200, with first-week sales of 69,000 copies.[77] The post-obit week, it peaked at number three, selling 67,000 copies.[78] By April 2012, The King of Limbs had sold 307,000 retail copies in the US, making it Radiohead'south first anthology not to achieve gold certification there.[1] This was credited to the surprise release; Radiohead'due south co-manager Bryce Edge said some fans did not realise Radiohead had released a new tape.[1]
Reception [edit]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.6/x[79] |
Metacritic | 80/100[80] |
Review scores | |
Source | Rating |
AllMusic | [81] |
The A.V. Club | B+[82] |
Entertainment Weekly | B[83] |
The Guardian | [84] |
The Independent | [85] |
NME | 7/10[86] |
Pitchfork | vii.9/10[28] |
Q | [87] |
Rolling Rock | [88] |
Spin | 8/10[89] |
At Metacritic, which aggregates scores from mainstream critics, The King of Limbs has an average score of 80 based on twoscore reviews, indicating "generally favourable reviews".[80] Michael Brodeur of the Boston Earth praised "the tense at-home these eight songs maintain—a sophistication that feels constantly prepare to crack", and wrote that "where In Rainbows was mellow simply brisk – an album that felt on its way somewhere – these songs are eerie and insidious, creeping like shadows".[90] PopMatters ' Corey Beasley wrote: "The King of Limbs is a beautiful record, ane that begs more of a witting listen than its predecessor, simply ane that provides equal – if dissimilar – thrills in doing so."[91]
François Marchand of the Vancouver Sun said that the anthology "bridges Radiohead'southward many different styles" and was "worth embracing".[92] Critic Robert Christgau awarded the album a ii-star "honourable mention" and recommended the songs "Little by Piffling" and "Bloom".[93] Quietus critic Ben Graham felt it could be Radiohead's best piece of work, writing that information technology returned to the way of their albums Kid A and Amnesiac with "a greater maturity and weight of experience that enriches both the songs and the procedure".[94]
Some felt The King of Limbs was less innovative than Radiohead'south prior albums. Marker Pytlik of Pitchfork chosen it "well-worn terrain for Radiohead, and while it continues to yield rewarding results, the band'due south signature game-changing appetite is missed".[28] AllMusic editor Stephen Thomas Erlewine described information technology as "Radiohead doing what they do ... without flash or pretension, gently easing from the role of pioneers to craftsmen".[81] Luke Lewis of NME felt it was "a record to respect for its craft, rather than worship for its greatness".[86]
In the Los Angeles Times, Ann Powers wrote that The King of Limbs had divided listeners, with some finding it too depression-central, abstract, or "doomy", or as well similar to Radiohead's previous work.[23] Some fans, having waited years for the follow-upward to In Rainbows, were disappointed past a shorter album that felt "relatively dashed together". Unfounded rumours spread of a 2nd anthology before long to be released,[95] bolstered by the lyrics of the final track, "Separator": "If you think this is over and so you're wrong".[96]
In a 2015 commodity for Stereogum, Ryan Leas concluded that The King of Limbs was "very adept, occasionally dandy music by a pivotal ring that nonetheless felt like something of a letdown because it wasn't, ultimately, some genius stroke none of u.s.a. expected".[95] Many listeners preferred The King of Limbs: Live From the Basement , [96] including Leas, who wrote: "You hear muscle and movement and bodies existing where the now tapped-out ingenuity of Radiohead's electronic impulses has begun to brand their recorded music breakable."[95]
In 2021, Consequence of Audio critic Jordan Blum and Stereogum writer Chris Deville both wrote that The King of Limbs remained Radiohead's nearly divisive record.[96] [97] Some fans found it too brusque,[96] or likewise "shallow and ephemeral";[97] Blum and Deville credited the disappointment to expectations set by the "warm and approachable" In Rainbows,[96] which had boosted Radiohead's influence with its innovative pay-what-y'all-want release.[97] Deville as well speculated that the running order, with more accessible songs on the second one-half, had lost some listeners.[96]
Accolades [edit]
The Male monarch of Limbs was named one of the best albums of 2011 past several publications, including the Wire,[98] the Guardian,[99] Mojo,[100] NME,[101] PopMatters,[102] Uncut [103] and Rolling Stone.[104] At the 54th Grammy Awards, it was nominated for All-time Alternative Music Anthology and All-time Boxed or Special Limited Edition Package. "Lotus Bloom" was nominated for Best Curt Class Music Video, Best Stone Operation and Best Stone Vocal.[38]
Track listing [edit]
All tracks are written by Radiohead.
No. | Title | Length |
---|---|---|
1. | "Bloom" | 5:15 |
2. | "Morning Mr Magpie" | iv:41 |
3. | "Little by Footling" | 4:27 |
four. | "Feral" | 3:13 |
5. | "Lotus Flower" | v:01 |
6. | "Codex" | 4:47 |
vii. | "Give up the Ghost" | four:fifty |
8. | "Separator" | 5:20 |
Total length: | 37:34 |
Personnel [edit]
Charts [edit]
Certifications and sales [edit]
References [edit]
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External links [edit]
- Official Radiohead website
- The Male monarch of Limbs at Discogs (list of releases)
wilkersontrablinever.blogspot.com
Source: https://en.wikipedia.org/wiki/The_King_of_Limbs
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